Which women do you find inspiring in your life, and why?
Papatuanuku inspires me, she has presented us with her beautiful Earth and all of her Taonga. I am daily grateful for the abundance she supplies for us to live fully. I think there’s something very important in our bare feet on the earth. Like a charging station.
Another inspiration would have to be Hineahuone the first woman in Māori cosmology. She was made by Tane, the eldest son of Papatuanuku. Made from his semen mixed with the clay of his mother’s body. Tane has domain over the forest and growth. The trees are Tane’s seeds and then he made the first woman. There’s a lot to unpack in Māori cosmology but it takes you to some very profound intelligence.
The natural world is very present in your work. Do you have any early memories of being moved by or deeply engaged with the natural world?
Living overlooking the Manukau harbour meant a daily doses, of spectacular views, of the sunrise and the moonrise over the sea. This view altered our personal view of existence. The other supernatural view I had was of one blade of grass dancing to the music I was playing while all other blades stood still. I saw that Tawhirimatea (God of Wind) was a most sensitive and precise being. And that he knew I was watching.